In reverse chrono­log­i­cal order:


Devel­op­ing Infor­ma­tion Lit­er­a­cy Skills for Tomor­row’s Music Indus­try Lead­ers,” Music & Enter­tain­ment Indus­try Edu­ca­tors Asso­ci­a­tion Jour­nal 14/1 (2014). With Kei­th Hatschek. Invit­ed paper. Peer-reviewed).

iPads to Enhance User Engage­ment Dur­ing Ref­er­ence Inter­ac­tions,” Library Tech­nol­o­gy Reports: Using Tablets for Library Instruc­tion 48/8 (November/December 2012). DOI: 10.5860/ltr.48n8. With Michelle Mal­oney. (Invit­ed paper. Peer-reviewed.)

Hunt­ing for QR Codes: Link­ing Stu­dents to the Music Col­lec­tion.” Music Ref­er­ence Ser­vices Quar­ter­ly 15/3 (Sep­tem­ber 2012): 137–148.

Con­cert Pro­grammes.” Dig­i­tal Media Review of Con­cert Pro­grammes ( Notes: Quar­ter­ly Jour­nal of Music Library Asso­ci­a­tion 68/1 (Sep­tem­ber 2011): 145–7.

Shift­ing notions of spec­ta­cle in Mau­rice Ravel’s La Valse,” In Dance and Spec­ta­cle: Pro­ceed­ings of the 33rd Annu­al Soci­ety of Dance His­to­ry Schol­ars Con­fer­ence, Uni­ver­si­ty of Sur­rey, July 11, 2010. River­side, CA: The Soci­ety of Dance His­to­ry Schol­ars, 2010.